The Englishman David Porter offers first-hand observation of both
the working conditions and the visual appearance of Broussa silk:
"We
visited the silk manufactories for which Broussa is so celebrated.
They are spread all over the city, but there is nothing that can
be called a silk factory. The weaving is all done by job-work
at so much the peake of three-quarters of a yard or thereabouts;
and these stuffs, so remarkable for their beauty, are wove in
miserable little rooms, only large enough to contain the loom
and the weaver, or two weavers, as the case may be.
"When
the figure is plain or striped, a man or a boy alone, is sufficient
for the purpose; but when flowered, it requires a man and a boy;
one to weave and the other to work with certain bobbins in a manner
to me incomprehensible, but which he could manage with his eyes
shut as well as open. These beautiful silks (and none can be more
beautiful) , which are destined to grace the form of beauty, are
woven by miserable, half-starved wretches, in these solitary dungeons,
at a gain of not more than three and sometimes of only one piasta
per day." (1)